Moody lighting, a legendary horror set, and David Arquette—photographing the Scream house for AirBnb was a cinematic blend of nostalgia and mystery
AirBnb / featuring David arquette and the Scream house
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When Airbnb turned the original Scream house into a rental experience, I had the opportunity to capture it—alongside none other than David Arquette, reprising his role as Dewey Riley.
Working alongside a film crew meant relying entirely on their practical lighting—a challenge at first, since I’d never worked this way before. But as soon as I stepped onto set, I realized their lighting was exactly the kind I love: moody, atmospheric, and full of deep shadows. It became the perfect way to amplify the house’s eerie presence, making every corner feel cinematic.
The production team had sought me out because they saw something in my work that already aligned with their vision—a certain moodiness, a sense of mystery. Bringing that into a space so deeply tied to horror history felt like a full-circle moment. And directing Arquette? A surreal and wildly fun experience—guiding a seasoned actor within the world of still photography was a completely different kind of creative collaboration, and one I won’t forget.
I had the opportunity to photograph a pivotal Sunday service at Third Baptist Church in San Francisco, led by Reverend Amos C. Brown—a towering figure in the civil rights movement and mentor to leaders like Kamala Harris. This service marked the launch of the church’s “100 Days of Prayer,” a powerful initiative inspired by Harris, the presumptive Democratic presidential nominee, to encourage reflection and unity in the lead-up to the election.
Before stepping into the church, I prepared myself to honor the significance of the space. Third Baptist is filled with what I can only describe as “God light”—gentle, radiant beams that pour in from above, creating a sense of grace and connection. I leaned into that light to highlight the emotion in the room, from the congregation’s shared energy to Reverend Brown’s commanding presence.
My goal was to document not only the history and faith embedded in the church but also its vital role as a community hub for justice and action. It was a privilege to capture a moment where the past, present, and future of activism converge in a space that continues to inspire hope and purpose.
Heard on set: ‘Can you make it look creepier?’ … Mission accomplished
